
Her surprise deepens when she discovers, in the Dragon's tower, a latent talent for magic. A talent that might just be called upon to save not only her beloved valley but the kingdom itself from the encroaching evil of the Wood.
I think one of the things I loved about the story is that the hook here isn't huge: it's not some end of the world, wizards pitted to the death kind of scenario. But it's no less compelling and fast-paced for all that. The wood is a very real menace: the kind of thing nightmares are made of. (And the ultimate secret of the wood is startling and wonderful).
I loved Agnieszka. I loved the Dragon. (And I'm nerd enough to feel chuffed that I figured out the source for the Dragon's name: he goes by Sarkan, a variation of sarkany, a Hungarian shape-shifting dragon--a minor bit of trivia I would not have known except I've recently been immersed in Hungarian folklore for bookish purposes. Novik graciously confirmed my guess on Twitter). Their unfolding relationship is sweet and spiky and charming.
This book isn't for everyone--there are a couple of adultish scenes that make it inappropriate for young teens. But I loved it.
After I read this book, I thought about some things I wanted to change in my story. It IS a big influence. I have read lots of other writers who write what I guess, is pastoral fantasy. It kind of went out of favor. Patricia Mckillop and Sharon Shinn come to mind. I am reading Silver in the Blood now. My blog moved. I'll be blogging every Friday till I finish book. Laughing. It's so difficult to stay off the net!!! LOL! I think we like the same kinds of books, for the most part.
ReplyDeleteI think you're right. I love Patricia McKillip. Shinn has been hit or miss for me, though Summers at Castle Auburn is wonderful. I wish there were more of those slower fantasies--they can be wonderful.
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